Past Exhibitions | 2017 - 2026
January 10 - April 4, 2026
Bruce Lee Webb | CURIOS
Tim Kerr | Your Name Here
2026
2025
November 15, 2025 - February 1, 2026
Seth Damm | Dimensions Unknown
Barry Stone | Slow Bell
October 11, 2025 - Janaury 5, 2026
Gil Rocha | Cáscaras y Leftovers: Mapping Memories for Tomorrow
August 9 - November 2, 2025
Roberto Jackson Harrington | Almost certain superfluity
Daniel Seth Kraus | Monoliths Among Palmettos: The Failed Florida Barge Canal
July 5 - October 5, 2025
Blyah Krouba & Cat Martinez | Roots in Frame
June 14 - August 3, 2025
Kingsley Onyeiwu | Crowned in Contradictions
April 12 - July 6, 2025
Brandon Ballengée | The Sea of Lost Children
March 8 - June 8, 2025
Ashely Thomas | Solastagia Hour
Micheal Anthony García | Radical Synergy
January 11 - March 30, 2025
Vitus Shell | Study Long, Study Wrong
November 23, 2024 - February 16, 2025
Tammie Brown | Rag Queenz
Jessica Kreutter | Collapse
October 5, 2024 - January 5, 2025
Richard “Ricky” Aremdariz | Dance of the Ghost Wolves / Baile de los Lobos Fantasmas
August 24 - November 17, 2024
Carole Smith | Sacred Stones
Troy Dugas | Fables in Form and Fiber
July 20 - September 29, 2024
Beach Bodies | Cody Ledvina, Liz Rodda, and Xavier Schipani
June 1 - August 18, 2024
Liv Monique Johnson | Waters Running High
Erin Miller | Lucky Charm Casino
April 27 - July 7, 2024
Zeke Williams | Bird Rights
March 2 - May 26, 2024
Annie Arnold | Tourist, Tour-est
Elizabeth Chiles |THE WILD NEARBY
January 13 - April 21, 2024
Christopher Blay | Ritual SpLaVCe
2024
November 18, 2023 - February 25, 2024
Catherine Colangelo | Throwing Stars
Matt Messinger | Curio
October 7, 2023 - January 7, 2024
Joe Harjo | Indian Removal Act I: American Progress
August 26 - November 12, 2023
Bryan Keith Gardener | Bridges, Walls, and Water
Lanecia A. Rouse | Betwixt
July 15 - October 1, 2023
Mayuko Ono Gray | 七転び八起き_Fall seven times, get up eight
June 3 - August 20, 2023
June Woest | Those Prepared for the Weather are Those that Get to Go
Lauren Kussro | Eden
April 22 - July 9, 2023
Shawne Major | Sew What?
March 4 - May 28, 2023
DUAL | It’s Called Fishin’, Not Catchin’
Sarah Welch & James Beard | Murky Mirror
January 14 - April 16, 2023
Joey Fauerso | I Wish I Had A River
2023
2022
November 19, 2022 - February 5, 2023
Eileen Maxson | The Word is Not Lucky
October 8, 2022 - January 8, 2023
Strand Gallery
October 8, 2022 - January 8, 2023
ArtWalk Reception
Saturday, October 8, 2022
6 – 9 PM
Artist talk at 6:30 PM
This exhibition is supported in part by a grant from Texas Commission on the Arts.
Kris Pierce
Party Line
Kris Pierce’s exhibition, Party Line, explores the intersection of virtual and physical identity through a real-time gathering of sources from social media platforms and across a series of new multi-media works and paintings. Concerned with how we project and perceive our own reality, Pierce reflects on the trend of main character syndrome; a TikTok phenomenon where people imagine and act out scenarios playing the “main character” in a fictionalized version of their lives. His works ask us to consider how aspects of self-assurance and confidence are understood in American culture, and how technology has the potential to transform healthy individualism into a type of harmful narcissism. Alongside his multimedia work Pierce also connects these themes through a series of paintings that reflect on identity and individualism in American culture, it’s history and ability to thread fictional archetypes into dangerous manifestations. Portraying a range of business-men types in reference to chauvinist cartoons of the 50’s and 60’s, the artist invokes stereotype to draw attention to aspects of interpersonal communication; small signifiers that point to class, aspiration, and social mobility. This glance back serves as a thoughtful reminder that identity is a social construct, regardless of how or when it is mediated.
Kris Pierce is an artist working in Fort Worth, Texas. The primary focus of his practice is the dynamic between our virtual and physical identities. His work examines themes such as power, value, narcissism, and states of consciousness within the context and through the lens of our modern digital world. Life, death, influence, authenticity, and relationships take on new meaning and forms in the digital realm, existing and thriving outside the norms of physical society. Pierce explore these themes in his work through a variety of emerging technologies such as virtual reality, 3-D modeling, game engines, and computer-generated video in addition to painting. He has exhibited internationally and nationally in museums, galleries, and public spaces, having had recent solo and group exhibitions at the Hiroshima Art Center, Japan; CICA Museum, Gyeonggi-do, South Korea; Gallerie Se Konst, Falun, Sweden; Reunion, Zurich, Switzerland; Sarasota Art Museum, Sarasota; The Old Jail Art Center, Albany, Texas; The Dallas Museum of Art; RL Window, Ryan/Lee, New York City and Crystal Bridges Museum of American Art / The Momentary, Bentonville Arkansas. Pierce received a BFA in Studio Art from the University of North Texas, Denton. His work is included in multiple public and private collections.
August 27 - November 13, 2022
1878 Gallery
August 27 - November 13, 2022
ArtWalk Reception
Saturday, August 27, 2022
6 – 9 PM
Artist talk at 6:30 PM
This exhibition is supported in part by a grant from Texas Commission on the Arts.
Juan Carlos Escobedo
x J.ESC • Assimilation Apparel
x J.ESC • Assimilation Apparel is a pseudo apparel line by San-Antonio based artist Juan Carlos Escobedo. Through these garments, Escobedo mimics landscapes and models the distinction between lower and higher socioeconomic spaces, revealing their residual ties to class and race. Primarily composed of cardboard, a material charged with preconceived notions of crudeness, utilitarianism, disposability and brownness, Escobedo’s work parallel’s his own identity. His work navigates the constant negotiation a brown person from a low socioeconomic background is required to do in order to mitigate their physical, cultural, and socioeconomic presence in privileged white spaces not intended for them. These clothes present a physical manifestation of what has been described as "the gentrification of a brown body."
Juan Carlos Escobedo (B.1985 El Paso,TX) explores his identity as a as a brown, Mexican-American queer male, raised in a low-socioeconomic community along the US/Mexico border. His work addresses residual class and race shame that arises from living in a predominantly “white” structured United States which favors light-skinned individuals and middle-class and above socioeconomic classes. Escobedo received his BFA from New Mexico State University and MFA from Massachusetts College of Art and Design. His work has recently been exhibited in San Antonio, where he currently resides, at Blue Star Contemporary, Centro de Artes, The Southwest School of Art, University of Incarnate Word, Palo Alto College, and Movement Gallery. His work has been recognized through awards and grants, including a Collective Futures Fund Grant from Tufts University Art Galleries: Andy Warhol Foundation for the Visual Arts; an Actos de Confianza Grant from the National Association of Latino Arts and Cultures; a Luminaria Artist Foundation Professional Development Grant; and a residency with Casa Lü in Mexico City, Mexico.
www.jce-art.com
Brown Foundation Gallery
August 27 - November 13, 2022
ArtWalk Reception
Saturday, August 27, 2022
6 – 9 PM
Artist talk at 6:30 PM
This exhibition is supported in part by a grant from Texas Commission on the Arts.
Jamie Robertson
A Hundred More
Jamie Robertson’s exhibition, A Hundred More, is a meditation on the concept and reality of the Black Landscape in the rural South. Robertson describes the landscape as witness to the fullness of Black life; the emergence of new generations and the retiring of older generations into the soil to become one with the landscape. The ancestors, now a spectral presence on the Homeground, witness the simultaneous growth and decay of their bloodlines. The Black landscape will survive us all and with that in mind, Robertson pauses to acknowledge what came before, what is now, and to dream of what is to come. For over one hundred years, Robertson’s family has called the small unincorporated communities in Leon County, TX, Home. Through the use of archival documents, photography, sculpture, and video, she asks, “What will become of us in a hundred more years?”
Jamie Robertson is a visual artist and educator from Houston, Texas. She earned a BA in Art and MFA in Studio Art from the University of Houston. She also holds an MS in Art Therapy from Florida State University. She is a former recipient of the American Art Therapy Association's Pearlie Roberson Award and Red Bull Arts Microgrant. Robertson is also one half of the podcast, Where I See Me, which examines the presence of Black and Brown people in comics and media.
Her creative practice is rooted in the recollection of the personal and collective histories of the African Diaspora through lens-based media; with a focus on the Gulf South. Her work was featured in FORECAST 2021: SF Camerawork’s Annual Survey Exhibition, Flatland Film Festival, Art League Houston, Florida A & M University Foster-Tanner Fine Arts Gallery, 516 Arts, and internationally at Contemporary Calgary in Exposure Photography Festival in Canada. Her photobook Charting the Afriscape of Leon County, TX was published in December 2020 with Fifth Wheel Press. She currently works as a Lecturer at Sam Houston State University.
June 4 - August 21, 2022
1878 Gallery
June 4 - August 21, 2022
ArtWalk Reception
Saturday, June 4, 2022
6 – 9 PM
This exhibition is supported in part by a grant from Texas Commission on the Arts.
Come Sunday (I’m Crossing Over)
Lauren Cross
Lord, dear Lord of love
God almighty, God up above
Please, look down and see my people through
--Come Sunday by Duke Ellington with Mahalia Jackson, 1958
Come Sunday is an exhibition featuring the works of interdisciplinary artist Lauren Cross, which are inspired by narratives of Black migration, emancipation, and freedom. Heavily influenced by the lyrics of spirituals, jazz, and others songs of freedom, Cross uses her multi-dimensional practice in this series as a solemn prayer of liberation for one’s community.
Through the use of digitally fabricated fibers, installations, videos, and prints, Cross’ work connects to stories of the historic journey to Juneteenth that occurred on June 19, 1865-- the day that General Gordon Granger issued General Order No 3 and informed the people of Texas that all enslaved people were free. As a native Texan, Cross reimagines these historic images and scenes through the lens of her own ancestors who existed across five generations in the state. While her tracings of their steps to freedom are intentionally imaginary, she proposes these memories and images as the circulation of celebrations past, present, and future.
The exhibition title comes from Duke Ellington’s highly popular and yet spiritual composition, Come Sunday, whose lyrics sung by gospel singer Mahalia Jackson create a melancholy yet inspirational expression of hope in the midst of ongoing struggle. The artist relates these lyrics to the upcoming celebration of Juneteenth on Sunday, June 19th 2022--where it’s annual marking as a Federal Holiday is juxtaposed by reminders that ongoing issues of race in America continue to frame our contemporary aspirations for freedom.
Lauren Cross is an artist, curator, and scholar, who holds an M.F.A. in Visual Arts from Lesley University in Cambridge, MA (2010), and a Ph.D. in Multicultural Women's and Gender Studies from Texas Woman's University, Denton (2017). She is also the founder of the arts non-profit, WoCA Projects, in Fort Worth, Texas.
Cross is recognized nationally and internationally for her interdisciplinary art practice, site-specific installations, and community work, including featured works in museums and galleries across the U.S. and the 2015 Edinburgh Art Festival in Edinburgh, Scotland. She received the Third Annual Visionary Award by Fort Worth Weekly magazine in 2013 and was named one of Dallas' "100 Creatives" by the Dallas Observer in 2015. In 2018, Cross was selected as a Visiting Artist for the Center for Creative Connections at the Dallas Museum of Art, and an inaugural Carter Community Artist for the Amon Carter Museum of American Art. In 2021, she was a Nasher Public artist for the Nasher Sculpture Center in collaboration with the organization For Oak Cliff in Dallas, featuring the interactive project A Moment of Silence/Let Freedom Ring.
Cross also is Assistant Professor at the University of North Texas College of Visual Arts and Design and serves as the program coordinator and for the Interdisciplinary Art and Design Studies program. Her research addresses critical multicultural approaches in arts practice, arts entrepreneurship, curatorial studies, museum studies, and art history. Cross has been a frequent presenter at academic and public conferences across the country and internationally, and is the director of the award-winning documentary, The Skin Quilt Project, which was produced in 2010 and was an official selection at the 2010 International Black Women's Film Festival in Berkeley, California.
1878 Gallery
June 4 - August 21, 2022
ArtWalk Reception
Saturday, June 4, 2022
6 – 9 PM
This exhibition is presented in conjunction with PrintHouston 2022 and supported in part by a grant from Texas Commission on the Arts.
Cathie Kayser
Liminal
Cathie Kayser’s exhibition, Liminal, features new prints that continue the artist’s exploration into printmaking processes, materials, and landscapes, both real and imagined. Kayser’s work often begins with an exploration of various media that evolve into new series of prints. This exhibition includes work inspired by her experiences in the early months of the COVID-19 pandemic in which she found herself isolated from the natural world she regularly takes influence from. Inspired by a New York Times article in July 2020 featuring the front lines of the pandemic, this series includes monotypes made from disposable paper gowns that Kayser reworked through drawing and cutting in order to isolate shapes within the folds. For Kayser, these new works are her attempt to capture the range of emotions and struggles of the past two years.
Cathie Kayser is a print artist based in Houston, TX. She is the studio manager and printing assistant to master printer Patrick Masterson at Burning Bones Press, where she has taught printmaking workshops and works in a variety of techniques, including plate lithography, woodcuts, intaglio, screenprints, and monotypes. Her work is in private and public collections, including the Houston Airport System. Kayser’s work has been featured in local and international group exhibitions, as well as solo exhibitions at Bosque Gallery/Lonestar College and Nicole Longnecker Gallery. In 2009, Kayser and four other artists founded PrintHouston, a celebration of original prints, the artists who create them, and the people who collect them. In 2010 they organized the inaugural biennial along with Rockin’ Roll Prints, a steamroller printmaking event attended by hundreds of artists from across Texas.
cathiekayser.weebly.com
April 23 - July 10, 2022
Strand Gallery
April 23 - July 10, 2022
ArtWalk Reception
Saturday, April 23, 2022
6 – 9 PM
This exhibition is supported in part by a grant from Texas Commission on the Arts.
Never Odd or Even
Melinda Laszczynski, Kate Mulholland, and Erika Whitney
Never Odd or Even features the paintings and sculptures of Houston-based artists Melinda Laszczynski, Kate Mulholland, and Erika Whitney. The exhibition highlights the opposing and complimentary ideas and processes each artist employs in their individual relationship to abstraction and color. Laszczynski’s paintings and sculptures highlight her magpie tendencies to accumulate and manipulate shiny films and painted textures, building them up into playful and tactile surfaces, along with experiments in the alchemical processes of ceramics and paper. Mulholland excavates her painting’s surfaces, carving and eroding layers, mimicking geological and meteorological processes that create the world around us. Whitney’s paintings and installations are a result of an intuitive process resulting from memory, routine, and experimentation. Through a push and pull between additive and subtractive, methodical and intuitive processes, these works navigate the artists’ ongoing experimentations with abstraction that flow between paintings and objects.
Melinda Laszczynski received her MFA in Painting and Drawing from the University of Houston and her BFA in Painting from the Cleveland Institute of Art. She is a Professor of Studio Art at Houston Community College. Laszczynski was a resident in the 2016-2017 Lawndale Art Center Artist Studio Program, the Spring 2021 Artists-in-Residence program at the Printing Museum, and the Vermont Studio Center. Laszczynski has shown her work extensively across Texas. Recently, her work has been at exhibited at the Art Museum of South Texas in Corpus Christi, The Gallery at UTA in Arlington, TX, Point of Contact Gallery in Syracuse, NY, and Survival Kit Gallery in Cleveland, OH. Her work has also been exhibited at Cardoza Fine Art in Houston, Galleri Urbane in Dallas, TX, Pulse Miami, and the Amarillo Museum of Art 600 Sculpture Biennial. Laszczynski’s work is included in the collections of UTSW (Dallas), Toyota (Dallas), and Lester Marks (Houston). She lives and works in Houston, TX with her partner John and their cats Agnes and Krudler.
www.melindalaszczynski.com
Kate Mulholland was born in Youngstown, Ohio, and currently lives in Houston, Texas. She attended the Art Academy of Cincinnati and graduated with a BFA from the University of Houston while studying Geosciences. Her work has been featured in solo exhibitions in Houston at Cardoza Fine Art, The Wedge Space, and G Gallery. Her work has been included in recent group exhibitions at Barbara Davis Gallery, David Shelton Gallery, Private Eye Gallery, including exhibitions curated by artists Robert Hodge, Preston Douglas, and Mark Flood. Mulholland was featured in the 2019 issue #144 of New American Paintings and has work in private and corporate collections nationwide.
katemulholland.com
Erika Whitney was born in East Texas and is currently based in Houston. She received her MFA in Painting from the University of Houston and BFA from the University of Texas at Tyler. Her work has been featured in solo exhibitions in Houston at the Front Gallery and BS Projects, along with recent group exhibitions at Dodomu Gallery, Brooklyn, NY, Barbara Davis Gallery, The Big Show at Lawndale Art Center, and New Texas Talent at Craighead Green Gallery, Dallas, TX. She will participate in the Sam and Adele Golden Foundation of Art Summer Sessions Residency in 2022. Whitney currently teaches at Sam Houston State University, Art League Houston; Houston Community College, and San Jacinto College.
www.erikawhitney.com
March 12 - May 29, 2022
1878 Gallery
March 12 - May 29, 2022
ArtWalk Reception
Saturday, March 12, 2021
6 – 9 PM
This exhibition is supported in part by a grant from Texas Commission on the Arts.
Sebastien Boncy
Time After Time
Time After Time features photographs by Sebastien Boncy of the Northwest Houston community where he resides. In part documentary and universally familiar, Boncy offers viewers an opportunity to see this built environment through his lens via thousands of images he has captured and shared, copyright free, through an online archive. His images document the residue of urban decay and renewal while rarely capturing the human figure in their frame. In what could be described as images of the end of civilization, evidence of their enduring presence can be found. Boncy describes his work as offering “embers of hope in the ruins, the promise of a new world, where we can hear the cheers between the screams.”
Sebastien Boncy was born in Haiti and currently lives in Houston, TX. He received his BFA from the University of Houston, and his MFA from the University of North Texas. His has exhibited at Mystic Lyon (Houston), Box 13 Artspace (Houston), Gaddis Geeslin Gallery at Sam Houston State University (Huntsville), and The Oak Cliff Cultural Center (Dallas). His work has been published in magazines Sugar and Rice and Found Me and the online publication Not That But This. Boncy has maintained a hyperlocal practice centered around an online photographic archive of the city through his ongoing Purple Time Space Swamp. He is all six members of the Pugilist Press Collective and has taught art and photography at University of North Texas, Lone Star College, The Art Institute of Houston, and University of Houston.
purpletimespaceswamp.tumblr.com
Brown Foundation Gallery
March 12 - May 29, 2022
ArtWalk Reception
Saturday, March 12, 2021
6 – 9 PM
This exhibition is supported in part by a grant from Texas Commission on the Arts.
Joachim West
Critical Mass
Joachim West’s exhibition Critical Mass includes works on paper and ceramics featuring accumulations of human figures. For West these images have historical and contemporary references including imagery of the concentration camps of the Holocaust, the threat of overpopulation, and more current concerns that arise over social distancing during the ongoing pandemic. The mass of these crowds and chaos of their arrangements are the artist’s expression of feelings of social anxiety and claustrophobia. Through these works West juxtaposes the sentiments of being walked all over and standing on the shoulders of those who came before us.
Joachim West was born in Connecticut and is currently based in Texas, where he has lived between Dallas, Galveston, and currently Houston. He earned a BA in Art & Performance from The University of Texas at Dallas followed by an MFA in Producción Artística from La Universidad Politécnica de Valencia in Spain. His work has been featured on CBS News, Yahoo News, Channel 5 News UK, Artnet, the Dallas Morning News, The Independent, D Magazine, The Dallas Observer, Arts & Culture Texas, and numerous other publications. West’s work was included as a member of the second generation of the Lizard Cult in a tribute show to Lee Baxter Davis at the Meadows Museum of Art, an artist whose teaching has produced artists such as Trenton Doyle Hancock, Gary Panter, Robyn O’Neil and Georganne Deen. His work has been selected for solo, group, and juried exhibitions in both the United States and abroad.
www.joachimwest.com
January 15 - April 17, 2022
Strand Gallery
January 15 – April 17, 2022
ArtWalk Reception
Saturday, January 15, 2021
6 – 9 PM
This exhibition is supported in part by a grant from the Texas Commission on the Arts.
Nick Barbee
Undeniable
Undeniable is a ten-year survey of the work of Nick Barbee spanning the time he has lived and worked in Galveston, TX. Barbee describes his work as an examination of “the role of representation in the construction of culture and meaning.” His studio practice centers around historical figures and narratives, often through mundane objects and with some personal connection to these histories. These disparate narratives are deconstructed both conceptually and through a range of media, resulting in a continual reevaluation and blurring of gaps in their meanings. The resulting works include a maquette based on memory of museums visited by the artist, sculptures based on ballistic diagrams, security envelope collages depicting society’s outcasts, and paintings of monuments with plaques whose texts mock the sculptures they adorn. While Barbee’s work delves into times, places, and objects from the past, the mutual influence of a place like Galveston over the past decade is also evident.
Nick Barbee (b. 1981) lives and works in Galveston, TX. He received his MFA in painting from the Tyler School of Art and BFA from Pratt Institute. Barbee relocated to Texas in 2009 to participate in the Core Residency Program at the Museum of Fine Arts, Houston. He has lived and worked in Galveston since participating as an inaugural resident in the Galveston Artist Residency in 2011. His work has been featured in exhibitions regionally at the Amarillo Museum of Art Biennial, The Contemporary Arts Museum, Houston, the Texas Biennial, Lawndale Art Center, Gallery Homeland, Alabama Song, CentralTrak, and the Dallas Biennale at the Dallas Contemporary. Barbee is the founder of the Galveston Art Lending Library (A.L.L.) for which he received an Idea Fund Award through the Andy Warhol Foundation for the Visual Arts. He is currently a visiting artist and lecturer at the Katherine McGovern College of the Arts at the University of Houston.
2021
November 20, 2021 - February 13, 2022
1878 Gallery
November 20, 2021 – February 13, 2022
ArtWalk Reception
Saturday, November 27, 2021
6 – 9 PM
This exhibition is supported in part by grants from the National Endowment for the Arts and Texas Commission on the Arts and sponsorship from the Galveston Island Convention and Visitor’s Bureau
Featured artists:
Sean Johnston
Keri Mullin
Justin Parr
Adam Smolensky
John Joseph “JJ” Vanlandingham
Featured collections:
Jeanne Addkison
Marie Adkins
Patricia Carvajal
Jonathan Crock
Phillip “Pappy” Johnson
Miranda Garza
Joe King
Lydia Marie
JessieMarie Olivarri
Tiffany Pippin, Andrew Diehl, and Hannah Diehl
Jon Ramon
Sabrina Stachowski
Amanda Vazquez
Esferas Perdidas
Sean Johnston, Justin Parr, and friends
Esferas Perdidas (or "Lost Spheres") is a project conceived by San Antonio glass artists Sean Johnston and Justin Parr. The group was formed for local glass workers to introduce people to their works by hiding select pieces, specifically handmade glass marbles, in and around San Antonio, TX. Photos of their creations and clues to the location are posted to a public Facebook Group, encouraging followers to seek them out. The group currently has over 8,000 members involved in an ongoing interactive scavenger hunt for marbles and decorative glass objects. The project encourages an appreciation of the work of local glass artists, as well as encourages hunters to explore the city on their search for these glass treasures. For this exhibition, GAC presents a selection of collections of handmade glass marbles from the group’s participants along with highlights of the work from a selection of participating artists.
Esferas Perdidas Facebook Group
Galveston Marble Hunts
In conjunction with the exhibition and with the support of the Galveston Visitor and Convention Bureau, Esferas Perdidas will expand the marble hunt to Galveston during the course of the exhibition. Artists will be actively hiding their marbles around Galveston Island on November 27th and January 29th. The public is encouraged to participate by following the ongoing hunt via the Esferas Perdidas group online.
Saturday, November 27, 2021 - In conjunction with Galveston ArtWalk
Saturday, January 29, 2022 - In conjunction with Galveston Museum Day
What began as a way to share art and adventure became a diverse community of kindred spirits who enjoyed the hunt, the friendship, and a love for beautiful glass and the artists who created it. Now seven years later, as we gather our art pieces for this exhibit, we realize that we are forever Esferas Perdidas family. – Mia May, Esferas Perdidas Member
Sean Johnston is a glassblower and visual artist based in San Antonio, TX. He has been blowing glass for over twelve years and places emphasis on painstaking details within his work. Esferas Perdidas was conceived by Sean and cofounded with Justin Parr on January 3, 2014 when they hid the first marbles. The group now numbers over 8000 members who hide and hunt marbles daily, throughout San Antonio, South Texas and the world. Johnston has exhibited and had his work collected through FL!GHT Gallery in San Antonio, and has been highlighted multiple times by The San Antonio Current, The San Antonio Express News, and several glass industry publications for his blown and sculpted glass work.
@sean_thomas_johnston
Keri Mullen has been a glass artist for over 10 years focusing on marbles, pendants, and cabochons. Her art work has been featured in The Flow magazine and a tutorial on implosions was published in Glassline magazine. She has been a member of Esferas Perdidas since November 2014.
@glassbykeri
Justin Parr is a contemporary artist and glass blower from San Antonio, TX. He is the caretaker and artist-in-residence in the historic Hot Wells Hotel Ruins on the San Antonio River, where he has built his glass studio and home out of a converted shipping container. His distinctive glasses always include some imperfections to them that only make them more desirable, and his blown glass marbles are literally hunted for throughout the country, in a group that numbers online in the thousands. Parr has exhibited his glass, photographic, and sculptural work throughout the United States for over 20 years, his work runs the gamut from public art experiences to hand blown drinking glasses. In addition to his own work, Parr has owned and run a contemporary artist-run gallery space of his own, FL!GHT Gallery, that has continued to show new work from regional artists for 20 years this year.
@in hot water
Adam Smolensky’s vortex marbles can be seen throughout Esferas Peridas member collections. He is a glassblower renowned for his detailed work in borosilicate glass, including marbles, pendants, drinking glasses, pipes, and sculptures of assorted shapes and sizes.
@smoglasstx
smoglass.com
JJ Vanlandingham (born 1974 - Cairo, GA) began working in glass under the mentorship of Nicholas O’Dell, a prominent lampworker in Durango, CO. Since opening his own studio, he has become known for his large-scale hollow work and line work. He met the creators of Esferas Perdidas in 2006 at Zollie Glass in San Antonio, TX and the group has since provided him an opportunity to focus on an area he had always had a great interest – marbles! JJ currently lives in Asheville, NC.
@johnjosephvanlandingham
Brown Foundation Gallery
November 20, 2021 – February 13, 2022
ArtWalk Reception
Saturday, November 27, 2021
6 – 9 PM
This exhibition is supported in part by grants from the National Endowment for the Arts and Texas Commission on the Arts.
Rebecca Drolen
Unstable Entity
Rebecca Drolen’s exhibition, Unstable Entity, uses photographs and architectural constructs to explore balancing and tipping points within culturally unstable expectations of female strength, resilience, and bodily performance. The work compares physical bodily forms to ad-hoc assemblages that are tenuously balanced using common building materials. Within this juxtaposition is a meditation on the body as an architectural construct and the unsettled standards of what it means to be a “strong woman.” Drolen incorporates images of female body builders into the work as a form of archetype or idealized body, representing a maximized performance of strength and physicality. Navigating her own role as both subject and photographer, Drolen enters the photo frame pursuing performances of stamina, wavering balance, and labor. The resulting collage of forms speculates on the relationship of female strength to intimidation, sexuality, and desire and the individual stamina required to pursue both mental and physical wellness.
Rebecca Drolen (b. 1983) is an artist, educator, and independent curator working in Arkansas. Her photographs are concerned with how individuals visually assemble their identity and the constructed ideals placed on gendered bodily performance. Her work explores the breadth of how photographs can take form in contemporary art as it incorporates built spaces, assemblage and performance.
Drolen’s work has been shown in group and solo exhibitions on a national and international level, within noteworthy venues such as the Huffington Post, Oxford American’s “Eyes on the South,” the Light Factory, the Houston Center for Contemporary Craft, Texas Tech University, The Oklahoma State Museum of Art, the CICA Museum in Gimpo, Korea, and the Theory of Clouds Gallery in Kobe, Japan. Drolen has had work published in various art books, magazines, and blogs and has photographs held in private collections as well as the permanent collection at McNeese State University in Lake Charles, Louisiana.
October 9, 2021 - January 9, 2022
Strand Gallery
October 9, 2021 - January 9, 2022
ArtWalk Reception - Saturday, October 9, 2021
6 – 9 PM
This exhibition is supported in part by grants from the National Endowment for the Arts and Texas Commission on the Arts.
Carter Ernst and Paul Kittelson
An Unearthly Affair
Carter Ernst and Paul Kittelson fill the Galveston Arts Center’s main gallery with a fantastical display of flora and fauna, including aluminum plants, furry creatures, and clay figures for their exhibition An Unearthly Affair. The artists have created a world where art becomes the creative force in shaping the environment; where psychology replaces biology; and evolution is driven by the artist’s imagination. While Ernst and Kittelson each employ their own unique materials and techniques, their long-term partnership has fostered a common outlook on life and a deep appreciation for the natural world. For this exhibition Ernst’s expressive representations of the animal kingdom are paired with Kittelson’s mechanical constructions of botanical subjects. Together their worlds collide in a surreal installation which celebrates the wonders of nature during a time of environmental trepidation.
Carter Ernst and Paul Kittelson met while in the graduate program at the University of Houston in the early 1980s. Inspired by the communal spirit of those early days at the UH Lawndale Annex, they built their careers amidst Houston’s grassroots art venues. They have both taught at numerous institutions of higher education as well as many community-based programs. They have continued to exhibit their work in galleries and museums across Texas and internationally.
In addition to their studio work, they have completed many public commissions. Most recent is an outdoor sculpture at Lamar University in Beaumont, Texas titled Cardinal Column. Other public commissions include Take Off at Hobby airport in Houston.
Paul and Carter are married, and they live and work in an artist community known fondly as “Itchy Acres,” in Independence Heights, Houston, TX. The naturally wooded setting of home and studios provides inspiration and solitude for their creative endeavors.