Past Exhibitions | 2017

Strand Gallery

November 25, 2017 – January 7, 2018

Opening Reception Saturday, November 25, 2017
6:00 – 9:00 PM
Artist talk at 6:30 PM

1878 Gallery

November 25, 2017 – January 7, 2018

Opening Reception Saturday, November 25, 2017
6:00 – 9:00 PM
Artist talk at 6:30 PM

Brown Foundation Gallery

November 25, 2017 – January 7, 2018

Opening Reception Saturday, November 25, 2017
6:00 – 9:00 PM
Artist talk at 6:30 PM

Strand Gallery

October 14 - November 19, 2017

Opening Reception Saturday, October 14, 2017
6:00 – 9:00 PM
Artist talk at 6:30 PM

1878 Gallery

October 14 - November 19, 2017

Opening Reception Saturday, October 14, 2017
6:00 – 9:00 PM
Artist talk at 6:30 PM

Brown Foundation Gallery

October 14 - November 19, 2017

Opening Reception Saturday, October 14, 2017
6:00 – 9:00 PM
Artist talk at 6:30 PM

Strand Gallery

August 26 - October 8, 2017

Opening Reception Saturday, August 26, 2017
6:00 – 9:00 PM
Artist talk at 6:30 PM

1878 Gallery

August 26 - October 8, 2017

Opening Reception Saturday, August 26, 2017
6:00 – 9:00 PM
Artist talk at 6:30 PM

October 14 – November 19, 2017

November 25, 2017 – January 7, 2018

Giovanni Valderas
TRADECRAFT

Giovanni Valderas pulls from his culture, history, and origins to produce three-dimensional mixed-media works that address the tattered relationships with his Guatemalan, Mexican, and American ancestry. His recent work addresses issues with gentrification in Spanish speaking communities and incorporates frayed elements of the piñata. Through the use of idioms incorporated into piñata forms, Valderas transforms these objects associated with celebration to highlight an alternate identity of the decay of traditional structures. Installed guerilla style alongside commercial real estate development signs in Dallas-Fort Worth, Valderas’ piñata start a conversation about the rapid gentrification of communities and juxtaposes their messages of power and influence.

The exhibition’s title piece, TRADECRAFT, consists of an installation of fourteen 48 inch letters, spelling the phrase “QUIÉN LOS PARARÀ.” At first glance the phrase’s potentially pejorative meaning, which translates to “Who will stop them,” is subverted into a message of empowerment for Spanish speakers. QUIÉN LOS PARARÀ is intended to co-opt words of fear and transcend them into a positive message for the culturally marginalized. The installation appropriates the piñata form in an effort to transform its original identity in popular culture from one of mere birthday celebrations, to one of a cultural construct in an attempt to decipher the complex history between US and Latin America. Through this work, Valderas aims to engage viewers and provoke a sense of empathy.

A native of Dallas, M. Giovanni Valderas is the Assistant Gallery Director at Kirk Hopper Fine Art. He also was appointed by Dallas City Council as Vice Chair of the Cultural Affairs Commission, under Mayor Mike Rawlings. Previously he was the Gallery Director at Mountain View College. Valderas graduated from the College of Visual Arts & Design at the University of North Texas with a Master of Fine Arts in Drawing & Painting. He has taught Mural Painting, Beginning and Intermediate Figure Drawing at the University of North Texas as well as Foundation Drawing and Art Appreciation at Richland and Mountain View College. He is a former member of 500x gallery, one of the oldest co-op galleries in Texas. His work has been featured in the 2013 Texas BiennialNew American Paintings Magazine, issues #108 and #132, and Impossible Geometries: Curated works by Lauren Haynes at Field Projects in New York City.

www.giovannivalderas.com

Regina Agu
Sea Change

Regina Agu explores representations of the physical and historical landscape in her exhibition Sea Change. Agu’s work explores narratives related to language, history, representation, and their intersections in contemporary ideas around landscape and communities of color. Central to the exhibition is an 80-foot panoramic photograph printed on billboard vinyl documenting a group of prototype sand dunes constructed from the sargassum that regularly washes up on Galveston’s shores. Using landscape photography, environmental research, and source texts including Jean Rhys' 1966 feminist novel Wide Sargasso SeaSea Change is a speculative commentary on climate change, the tourism industry, environmental justice, and interrelated economies.

Regina Agu currently serves on the Board of Directors at Project Row Houses, Houston, TX and since 2014 has been the Co-Director of Alabama Song, Houston. From 2014-2015, she was the Artist Board President at DiverseWorks, Houston. Awards and residencies include Artadia Houston Award, 2017; Lawndale Artist Studio Resident, Lawndale Art Center, Houston, 2017-2018; SEED Grant for Alabama Song (with Gabriel Martinez), The Robert Rauschenberg Foundation, 2016; Open Sessions 2016-2017, The Drawing Center, New York, NY, 2016; Associate Artist in Residence, Atlantic Center for the Arts, New Smyrna Beach, FL, 2015; Southern Constellations Fellow and Artist-in-residence, Elsewhere, Greensboro, NC, 2015; The Idea Fund Grant for Friends of Angela Davis Park (with Gabriel Martinez), Houston, 2014; Individual Artist Grant – Emerging, Houston Arts Alliance, Houston, 2012; and Creative Capital Master Class, Houston, 2012. Most recently, Agu was featured in the group exhibitions into the midst of things, DiverseWorks, curated by Rachel Lynn Cook; and Where Do We Stand?, The Drawing Center, New York, NY, on view August 3, 2017 – September 17, 2017, curated by Nova Benway and Lisa Sigal. Agu lives and works in Houston, TX.

www.reginaagu.com

Angel Oloshove
The Ocean Never Closes

Angel Oloshove presents a new series of ceramic totems that reflect on the land, environment, and its constant state of flux for the exhibition The Ocean Never Closes. Oloshove’s work experiments with painterly glazes to express feelings of transcendental experiences through form and color. She describes her stacked stupa as connecting earth, water, fire, wind, and the void. Oloshove’s works are beacons, reveling in the beauty of the day and standing strong to weather the greatest storm. In her work, clay is brought to a new light, as stone, vibrating with the history of the land.

Angel Oloshove (b. 1981, Temperance, MI) studied painting at California College of the Arts and went on to worked in graphic design and toy development in Tokyo, Japan. In 2009, she turned her focus to develop her studio practice in ceramic sculpture. She balances a fine art practice of sculptural ceramics as well has her own line of functional design pottery that is stocked in design boutiques throughout the United States. Her exhibition Floating Worlds was selected as a Critic’s Pick for the April 2015 issue of ArtForum. In 2015, she was named one of “Ten Modern Ceramists Shaping the Future” by AnOther Magazine. In 2015, Oloshove’s ceramic designs and artworks were included in the survey exhibition Texas Design Now at the Contemporary Arts Museum, Houston. She has exhibited at Gallery Hanahou (New York), Front St. Gallery (Oakland, CA), and several arts institutions across Japan. Oloshove was a finalist for the 2015 Houston Artadia Award, and will begin a residency at the Houston Center for Contemporary Craft in the fall of 2017.

www.angeloloshove.com

Bradley Kerl
Greenhouse

Houston-based painter Bradley Kerl presents Greenhouse, an exhibition of recent work ranging from works on paper to large-scale paintings. Kerl mines his day-to-day experiences for image- making opportunities: classroom still-life arrangements, a flowerbed at the grocery store, potted plants at the doctor’s office. These seemingly mundane moments offer the artist an opportunity to develop his particular vernacular. With the inclusion of etchings, works on paper, and small canvases, the artist’s varied approach to making fully realized, large-scale paintings will be on view for the first time in a major exhibition.

A native of southeast Texas, Bradley Kerl has called Houston home for the past six years. Kerl studied drawing and painting at the University of North Texas, as well as the University of Houston, where he earned his MFA in 2014. His work has been exhibited widely in Texas including the group exhibitions HOT & WET at Circuit12 Contemporary (2016) and Fun at Kirk Hopper Fine Art (2017), both in Dallas, TX. He has also been the focus of solo exhibitions at Art Palace Gallery (2014, 2015) and Houston’s Texas Contemporary Art Fair (2016). More recently, Kerl spent January 2017 in residence at 100 West Corsicana in Corsicana, TX, in addition to completing his first mural at Circuit12 Contemporary’s PRIMER bookstore. He is currently an Affiliate Artist Instructor of drawing and painting at the University of Houston. Kerl is represented by Art Palace in Houston.

www.bradleykerl.com

Christie Blizard
Wanting to not want

Christie Blizard presents work from her ongoing project in which the artist holds up text paintings on The Today Show and Good Morning America. Through Blizard’s disruptions of the broadcast, she tests the boundaries of free speech in America. Since 2014, Blizard has made approximately 30 appearances in the audience of broadcasts of these popular morning television programs. The project has gained national attention through articles in Hyperallergic and ArtNews, and was nominated for an Art Matters award. For her exhibition, Wanting not to want, Blizard presents a new series of text paintings, video projections and still images taken from appearances during the summer of 2017. During the opening reception, Blizard will perform as Matt Lauer, host of The Today Show.

Christie Blizard is a national and international exhibiting artist, working in a variety of media merging painting, poetry, and performance. Since 2006, she has been featured in over 70 national and international art exhibitions including those curated by several renowned art figures such as: internationally known artists Mel Chin and Pradip Malde; Dr. Charissa Terranova, Assistant Professor of Aesthetic Studies and Director of Centraltrak Artist Residency at UT Dallas; Rene Barilleaux, Chief Curator at the McNay Art Museum in San Antonio, Carter Foster, Curator of Drawings at the Whitney Museum of American Art; Heather Pesanti, Assistant Curator of Contemporary Art at the Carnegie Museum of Art, and Antoine Guerrero, Director of Exhibitions at PS1. Recent exhibitions include an invitation to the Texas Biennial 2011 and 2013 curated by Virginia Rutledge held in Austin, and solo exhibitions at Lawndale Center for Art in Houston and Women and Their Work in Austin. Other recent residencies and fellowships include Artpace in 2017, the MacDowell Colony in Peterborough, NH and Centraltrak Artist in residence program through the University of Texas at Dallas. Her work has been featured in ArtNews, Hyperallergic, Blouin ArtInfo, and Art in America.

christieblizard.com

August 26 – October 8, 2017

Brown Foundation Gallery

August 26 - October 8, 2017

Opening Reception Saturday, August 26, 2017 | 6:00 – 9:00 PM
Artist Talk 6:30 PM

Christopher Cascio
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Christopher Cascio explores themes of obsession, compulsion and ritual through painting and mixed media works. His exhibition, XXXXXXXXXX XXXXXXXXX, includes a new series of paintings that reference traditional quilt patterns and his past work incorporating concert wristbands. The title of the exhibition and Cascio’s artist statement are intended to be both immediate and cryptic, redacted in an effort to reflect its futility:

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Christopher Cascio is a painter based in Houston. He is a graduate of the San Francisco Art Institute (BFA, 1999) and the University of Houston (MFA, 2013). Cascio has exhibited his work extensively, including exhibitions at Devin Borden Gallery, Cardoza Fine Arts, Rice University, Blaffer Museum, DiverseWorks, and Lawndale Art Center in Houston, New Image Art and Maitland Foley in Los Angeles, Makebish in New York, and others exhibition in Dallas, San Antonio, and San Francisco. In 2014, he was included in the Contemporary Art Museum’s 65th anniversary show Outside the Lines.  He was recently featured in Sneeze Magazine and reviewed in Art in America. Cascio teaches at Sam Houston State University and the High School for the Performing and Visual Arts.

www.christophercascio.com

July 15 – Aug 20, 2017

Strand Gallery

July 15 - August 20, 2017

Opening Reception Saturday, July 15, 2017 | 6:00 – 9:00 PM
Artist Talk 6:30 PM

Abhidnya Ghuge
Changing Perspectives

Abhidnya Ghuge transforms disposable paper plates into immersive installations using wood-block printed patterns inspired by Indian henna designs, the microscopic and macroscopic world, and the current cultural landscape of America. Ghuge’s work celebrates these patterns and organic forms, while calling attention the ephemeral nature of human experience.

Born in India and a dermatologist by previous profession, Abhidnya Ghuge is a multidisciplinary installation artist. Currently an Adjunct Professor in the Department of Art and Art History at the University of Texas at Tyler, she has exhibited in solo and group shows throughout the United States, and her work can be found in collections throughout India and the United Kingdom.

abhidnyaghuge.com

1878 & Brown Foundation Galleries

July 15 - August 20, 2017

Opening Reception Saturday, July 15, 2017 | 6:00 – 9:00 PM
Artist Talk
6:30 PM

Burning Bones Press
Collective Pulse

Burning Bones Press is a printmaking studio in the Houston Heights, founded by Carlos Hernandez and Pat Masterson in 2011. The studio is a center of collaboration for artists working in a variety of print media, including etchings, lithographs, woodcuts, screenprints and monoprints. The exhibition, Collective Pulse, features a selection of prints by members of Burning Bones Press. This exhibition is co-organized by Keelin Burrows, Curator for The Printing Museum, Houston, and Dennis Nance, Curator for Galveston Arts Center in conjunction with PrintHouston.

Burning Bones Press is a printmaking studio which collaborates with artists to produce editions of original etchings, lithographs, woodcuts, screenprints and monoprints.  The studio also does contract, collaborative printing for other publishers, dealers, artists, and institutions, and is available on a limited basis for open-shop work by experienced artists.  In addition, Burning Bones Press offers classes for the general public in screenprinting, lithography, relief, monoprints and more.

www.burningbonespress.com

June 3 – July 9, 2017

Strand Gallery

June 3 - July 9, 2017

Opening Reception Saturday, June 3, 2017 | 6:00 – 9:00 PM
Artist Talk
6:30 PM

Robert Hodge and Tierney Malone
Two & 1/2 Years: A Visual Celebration to the Spirit of Juneteenth

Two & 1/2 Years: A Visual Celebration to the Spirit of Juneteenth is a collaboration between multidisciplinary artists Tierney Malone and Robert Hodge. The story of the institution of slavery in Texas and the origins of the Juneteenth celebration are reexamined and retold musically and visually. The exhibition is a visual representation of the music project Two and 1/2 Years: A Musical Celebration to the Spirit of Juneteenth, produced by Robert Hodge and Tierney Malone, released June 19, 2016.

Robert Hodge is an interdisciplinary artist whose practice explores themes of memory and commemoration. Born in Houston, Texas and raised in the City’s Third Ward district, the artist studied visual at the Atlanta College of Art before returning to Houston. Hodge has exhibited his work in numerous national and international institutions including Project Row Houses; the Museum of Fine Arts, Houston; Contemporary Arts Center, New Orleans; the Contemporary Arts Museum, Houston; and the Contemporary Museum of East Africa, Nairobi, Kenya. Named amongst the Houston Press’ 100 Most Creative People in 2011, Hodge has also received grants from the Houston Arts Alliance and The Idea Fund. Hodge recently received the Joan Mitchell Artist Grant and Young Master Prize in 2014. Hodge attended the prestigious Skowhegan residency summer of 2014 and had his first solo museum exhibition in 2014-2015 as well at the Contemporary Arts Museum, Houston. Robert Hodge recently released “Two and 1/2 Years” A Musical Celebration to the Spirit of Juneteenth a record he executive produced in June 2016. He is working on two new music projects along with exhibitions this year.
www.robertleroyhodge.com

Tierney Malone was born in Los Angeles, but has long called Houston his home. Malone is a modern-day storyteller who creates works on paper and mixed media constructions. He uses the cannon of African-American history and pop culture to create contemporary tales about life. By invoking colorful and emotionally charged figures from jazz, sports and literature, Malone makes powerful and sensitive works that are both visually beautiful and politically provocative.

Malone has exhibited his art widely throughout Texas and the U.S., including numerous solo exhibitions. His works are in the permanent collection of the Museum of Fine Arts Houston; the Kansas City Jazz Museum, Kansas City, Missouri; Goldman Sachs, New York; and the Federal reserve Bank, Houston, Texas. He is the recipient of the Louis Comfort Tiffany Foundation Grant, a CACHH Visual Artist Grant and Kimbrough Visual Artist Grant.

Malone has collaborated with noted jazz musicians, commissioned to create the jacket cover for musician Con Byrons’ 199 CD, “Romance of the Unseen”, on the Blue Note label and jazz pianist Randy Weston for a 2003 performance at the Miller Outdoor Theater. In 2008, he completed two major commissions; a limited edition print celebrating Da Camera of Houston’s 20th Anniversary and an outdoor mural entitled “Southern Sounds” for the Coleman Art Center in York, Alabama. Music and the creators of music are a major influence in his work. It was November 2009 that Malone presented a solo exhibition in Houston, Texas “Third Ward My Harlem.”
www.tierneymalone.net

1878 & Brown Foundation Galleries

June 3 - July 9, 2017

Opening Reception Saturday, June 3, 2017 | 6:00 – 9:00 PM
Artist Talk
6:30 PM

ROUX
SALT

The Houston-based artist collective ROUX includes Rabéa Ballin, Ann Johnson, Delita Martin, and Lovie Olivia. Their works navigate between styles of the past and the proposed future and address experiences unique to Women of Color residing in the American South. These four artists not only embrace and challenge drawing conventions in medium, surface and concept but apply unusual approaches to the process and ingredients of printmaking, installation, video, sculpture, and painting. Their exhibition, SALT, is presented in conjunction with PrintHouston, a biennial celebration of original prints at galleries and museums throughout the region.

Born in Germany, raised in southern Louisiana, Rabéa Ballin received her informal training from her mother who was a friseur and salon owner. The cultural shifts resulting from being the daughter of an American soldier and a European mother resulted in a sensitive awareness of the power and politics of hair. Her scrutiny of the sculptural aspects of hair began with her self-taught hair braiding practice. The cross pollination of untold histories and hair are the core elements of her work. Ballin holds an MFA (University of Houston), and a BFA (McNeese State University). During her years at McNeese she returned to Germany to attend the Goethe Institute, subsequently studying Art History in Rome and Florence, Italy. Currently an assistant professor of art, Rabéa is living and working in Houston’s historical Third Ward community.
www.rabea-ballin.com

Ann Johnson was born in London, England and raised in Cheyenne, WY. She received a BS in Home Economics from Prairie View A&M University, an MA in Humanities from the University of Houston-Clear Lake, as well as an MFA from The Academy of Art University, in San Francisco with a concentration in printmaking. In 2010, she received the Teaching Excellence Award at Prairie View A&M University, and was awarded Art teacher of the year in the School of Architecture. In 2011, she received the distinguished Presidents Faculty of the Year award. Johnson’s work has been exhibited nationally in solo, group and juried exhibitions. She was a Prize winner in Lawndale Art Center’s “The Big Show” in 2004, and was the Mixed Media winner in the Carroll Harris Simms National Black Art Competition in 2007. Johnson was also included in the Texas Biennial in 2013. Most recently Johnson has focused on experimental printmaking, and in 2015 she was acknowledged as an “Artist to Watch” in the International Review of African American Art. She has exhibited at The Museum of Fine Arts Houston, TX; The Museum of Printing History, Houston, TX; Women and Their Work Gallery, Austin, TX; Project Row Houses, Houston, TX; Tisdale Beach Institute, Savannah, GA; Charles H. Wright Museum, Flint, MI; The Apex Museum in Atlanta, GA; and The California African American Art Museum in Los Angeles, CA. Johnson has published several articles for School Arts magazine (Davis), and has written and designed a number of books including: I’ll Fly Away (Solefolio Press), BÄs (Solefolio Press), Paper & Ink (blurb), ROUX (Solefolio Press), Craft$ For The No Budget Art Teacher (Solefolio Press), and STIR (Solefolio Press).  She is represented by Hooks Epstein Galleries, Houston, TX.
www.solesisterart.com

Delita Martin is an artist currently based in Huffman, Texas. She received a BFA in drawing from Texas Southern University and a MFA in printmaking from Purdue University. Formally a member of the fine arts faculty at the University of Arkansas at Little Rock, Martin is currently works as a full-time artist in her studio, Black Box Press. Working from Oral traditions, vintage and family photographs as a source of inspiration, Martin’s work explores the power of the narrative impulse. Her process of layering various printmaking, drawing, sewing, collaging, and painting techniques allow her to create portraits that fuse the real and the fantastic. In her work, she combines signs and symbols to create a visual language. By fusing this visual language with oral storytelling, she offers other identities and other narratives for women of color. Martin’s work has been exhibited both nationally and internationally. Most recently Martin’s work was included in the State of the Arts: Discovering American Art Now, an exhibition that included 101 artists from around the United States. She was also included in International Review of African American Art as one of 16 African American artists to watch who are gaining national and international attention in 2015.
blackboxpressstudio.com

Lovie Olivia is a native Houstonian and a visual artist who’s practice employs Fresco (buon and secco) with the addition of digital fresco (monotype) and sgrafitto (scratch) to create paintings, objects, installations and discourse around issues of gender, sexuality, race, class and power. Although her past includes some formal artistic training, including graduating from Houston’s High School for the Performing and Visual Arts, she mostly relies on her independent studies of art, cultures, music, literature, and history to influence her work. She has exhibited at Jam Gallery, Brooklyn, NY; Pillow, Brooklyn, NY, 36; Steps Gallery, Pittsburgh PA; The Art League Houston; Darke Gallery; GalleryM2; Contemporary Arts Museum, Houston; Project Row Houses; Arthello Beck Gallery, Dallas, TX; and Houston Museum of African American Culture. In addition to her multifaceted approach to visual art, she teaches drawing at Art League and painting at Houston’s High School for the Performing and Visual Arts. Olivia is also a recipient of an Individual Artist Grant Award 2009 and 2014 which is funded by the City of Houston through the Houston Arts Alliance.
www.lovieolivia.com

April 22 – May 28 , 2017

Strand Gallery

April 22 - May 28, 2017

Opening Reception Saturday, April 22, 2017 | 6:00 – 9:00 PM
Artist Talk 6:30 PM

Jules Buck Jones
Gardens and Graveyards

Austin-based Jules Buck Jones’ exhibition, Gardens and Graveyards, is a multimedia installation fusing his paintings, drawings, and sculpture with backdrops, props, and costumes from his Animal Facts Club performances. Jones’ work hints at the supernatural authority of nature through anthropomorphized landscapes and pairings of odd congregations of wildlife. The work delves into thoughts of evolution, transformation, and extinction. Animal Facts Club, puts on theatrical performances which highlight the wide range of species of Texas.

Jules Buck Jones earned his MFA in Painting at the University of Texas at Austin, Austin, TX, in 2008 and a BA from Virginia Commonwealth University, Richmond, VA, in 2005, and has had artist residencies at Skowhegan School of Painting and Sculpture (Skowhegan, ME), The Light House Works (Fisher Island, NY), Vermont Studio Center (Johnson, VT) and AIRIE in the Everglades National Park (Homestead, FL). His work has been exhibited throughout Texas and his native Virginia. He has received commissions from Gensler (Houston, TX), Dell Children’s Hospital (Austin, TX) and the City of Austin, TX. His work is in the permanent collection at The Contemporary Austin. He is represented by Conduit Gallery (Dallas, TX) and David Shelton Gallery (Houston, TX). Animal Facts Club is a like-minded consortium of artists, scientists, musicians, and writers who come together to share awesome facts about animals with each other. They put on educational performances, create annual calendars, and make animations and videos about the amazing character traits of animals. 

www.julesbuckjones.com

1878 Gallery

April 22 - May 28, 2017

Opening Reception Saturday, April 22, 2017 | 6:00 – 9:00 PM
Artist Talk 6:30 PM

Calder Kamin
Plastic Planet

Like the scavenger animals Calder Kamin sculpts, she collects a variety of colored plastic bags from her friends and family. Kamin strips and twists the bags into textures like fur or grass to create the work in her exhibition Plastic Planet. This same plastic litters road, fills oceans, and has entered the tissue of all living things. Her work poses the question, “What are the steps to solve this crisis?” In addition to the exhibition, Kamin’s Neocortex Classroom provides visitors an opportunity to absorb the problems of our planet, such as pollution and extinction caused by humans. Through hands-on activities and events, Kamin is motivated to inspire her audience make better choices for the environment. Kamin’s art sparks activism and an opportunity to participate in the greater good by transforming materials and her audiences.

Calder Kamin earned a Bachelor of Fine Arts from the Kansas City Art Institute. Kamin was the Utah Museum of Contemporary Art’s Art Truck Artist for the 2013-2014 school year and the first Artist-in-Residence at the Beach Museum of Art. She was one of 102 national artists to be selected for the Crystal Bridges Museum of American Art’s exhibition “State of the Art: Discovering American Art Now”. Kamin was a mentor for the Teen Artist + Mentor Program in 2015 and is a 2017 Crit Group fellow at Contemporary Austin. She has returned home to Austin, Texas. Her solo exhibition Plastic Planet at Women & Their Work was supported by a Mid-America Arts Alliance 2017 Artistic Innovations Grant. Her next project is to animate her Plastic Planet series for a PSA that will debut on KLRU with project funds from The Awesome Foundation. Kamin is featured in the series Arts In Context set to air on PBS in the fall of 2017.

calderkamin.com

Brown Foundation Gallery

April 22 - May 28, 2017

Opening Reception Saturday, April 22, 2017 | 6:00 – 9:00 PM
Artist Talk 6:30 PM

James Talambas
2,524 Earthquakes This Past Year

Fort Worth-based multidisciplinary artist James Talambas brings his spatial work, 2,524 Earthquakes This Past Year - a sound installation referencing seismic activity in Oklahoma and North Texas between January 1 and September 12, 2016, attributed to the hydraulic fracturing, or fracking, activity in the region.

James Talamabas is a composer and installation artist who employs technology, improvisation, and space into the pieces he composes, creating site-specific, and musician-specific electro-acoustic works. Talambas also creates original scores and sound design for film, and as the creator and owner of New Media Recordings, he produces, publishes, and arranges for artists internationally.

www.500x.org/james-talambas
www.newmediarecordings.com

March 4 – April 16, 2017
David Aylsworth | Either/And
Steve Fisher | Galveston: Spare Beauty
WAKE | In Our Wake: A Collective’s Collected Objects
Lina Dib | Pool of Sound

January 14February 26, 2017
Jonathan Leach | Guts and Bone
Luisa Duarte | Personal Scapes